ii sighs 
ae 


ty 


Het i 
i 
ve oa 
Hite 
ft 


ff 
ty 


este sites 


33 


bE 
ite 
Hn 


a 
ne 


set 
patie 


LIBRARY 


M, KNOEDLER & CO. 


556-8 FIFTH AVE. 
NEW YORK 


J. H. CONVERSE, 500 North Broad St., Philadelphia, 


by Firmin Girard, 


"Un pints mitoyen" 


by Marcius Simons, 
"Canova™ 
by A. Ferraris, 


by J. L. Blurt, 


"Ie Billet de Logement" 


by Victor Lecomh, 
by GC, Brun, 


"Langage de fleur" 
1 Ptg. by L. Lhermitte, 


"Gleaners" 
by V, Chivillaro, 


*"Pacheux contremps" 


by IM. Rico, 


‘Haria della Misecricorsia™ 


by Marcius Simons, 
"Canova" 
by E, Girardet, 


“Arabs playing chess”, 


by Jean Aubert, 
"Lost in the Snow" 
by L. G. Brillonin, 


"Nhe Musical enthusiast" 


1W. ©, by Aston Knight, 


"Hoonlight Lamay", 


6594 1 Pte. 
65951 Pte, 
6603 1 Pte. 
6596 1 Pte. 
6597 1 Pte. 
6598 1 Pte. 
7136 
7135 1 Pte. 
6977 1 Pte. 
1 Pte. 
6317s: 11 Pte. 
8312 1 Pte. 
8747 1 Pte. 
‘Ex-27 


$2700.00 
850,00 

1650, 00 

Fes, 9000,00 
6 1200, 00 
% 2000.00 
$2250.00 

& 575.00 

$ 1500.00 
850,00 

Fes, 2000.00 
* 2500, 00 
$ 315.00 


#50000 


| 
4, 
: 
; 
ay 


ve 
lo eae San Tro- 

i R. H. Ritter, 
 Pasini, /P. 


iberger, $450. 


Weather,” Isabey,; R. HL) 
1 ‘Requisitioning Quarters,” 
W. L. Austin, $190; “rhe. 
out,” Lamorniere, Alba B, 


Ri H. Ritter, $2,675; 


ae 


00; “Waiting for Permission,” 


as 


ee hs pnerad Re BG Rittery 


Home,” Jacque, R Ora 
Street,” lage 


Pussies Albar B. Johnson, $500; 
eur—Calvaire de la Cote de> 


' Dupre, Georges 


a Grolleron, Alba B.John=" | 
Amateurs,” Winslow, 
etson, $460; ‘Harbor Bae | 


“Maria Della Misericor- | 


W. L. Austin, $650; “Still Life,” 
'R. H. Ritter, $800; “Dutch Canal. 


he. Little  Hougse-" 


| 


eonsolate,” Aubert, L. W. Seas | 


‘| 


$725; “Landscape : 


Georges Pettit, Paris, ; 


e with Distant, 
i eae ae ’ 


“Gossips,” 
(agent), § 


ng on t 
ittis, Wy P Worsh, $2 
| ort ” Von Brozik, we 


Piavera, Me Girecder, 
50; ‘Visit. of the Grand 
‘O versity, ” Ferraris, 
$1, 000; ‘The Convalescent, . 
n,”’ Fagerlin, Tooth &* 
Dance of Peasants,” Vautier, 
in, $8,600; “Arriving at the 
efreeger, W. L, Austin, $6,900; ' 
ldgway Knight, 0. Bernet 
3; “The Diligence Station,” * 
G. Dery, $2,000; “A Mas. 
reau, H. B. Johnson, $1,025; 
» Boats,” Ridgway Knight, : 
550 ae kde 100.) 


A JANUARY 7, is. 


= to io 


NEW YORK ‘HERALD, . 


m QOFORA COROT 
AT HIRST BIG ART sHlE 


Ta ites als 
Sint Seve Pictures of. the ‘Late e 
vie Converse’s Collection | 

- Bring $128,500. 


eo 


Corot ae the men of Barbizon held the 
front rank last night at the first important 
picture: sale of the season, at which the 
American Art Association disposed of the 
collection of the late John H. Converse, 
of Philadelphia, in Mendelssohn Hall. 

Many af the canvases of the anecdotal 
variety brought high prices, showing that: 
the. American ‘public is interested in pict- 
ures “which convey a definite story or sen- 


timent, | 


The: examples of the French open air, 
painters were much sought, as they had 


come, from the galleries of well. known 


connoisseurs even betore they were ob- 


tained by Mr. Converse. 
There was a large delegation of buyers 


from Philadelphia. ‘and some of the finest 


canvases will return to that city. Corot’s 


‘Landscape by the Sea’ brought $20, 000, 


the highest price of the sale, and went 
to Wor. ES. EL. Ritter, of Philadelphia, who 
frequently aets as buyer for amateurs of 
lis city. We also acquired a Daubigny 
‘Gahdscape with Distant Village” for) 


$7,700 and a Diaz for’ $5,000. 
Defregger’s “Arriving at the Ball,” a 


‘portray 1 of peasant life, which is known 


through 
country, brought, $6,300 


throughout this! 


See iar i, 
This work was 


id up. ‘the renin 
e's collection, and 


ttle. Witslow Homer's “Amateur 
ans’ yielded only the modest sum 
The lowest price, $90, was elven 
‘Henry Farrar’s “Springtime,’”’ 
<ty-seven canvases changed hands an: 
1 amount realized was $128,500. 
the: ‘pictures sold for more than $1, 
, with the name of the artist, the title, 
ame of ‘the new sodas and then the 
were: et | 
“Papa! s Toilet,” ‘Mr. Ww. be, 
Gruen, Bee eng taney eat pi 776 


is, “The Rendezvous,” Mr. P. 
Re ee crite ota Ea Ser 1,375, 
Oriental Bazaar,” Mr. - 
n Rico, "Maria Delia Misert~ ; 
CaO MT REL.) RULER ss ean 2,675, 


nd, “Dutch Canal by “Moon- | 
pues RS at eyes eben wesees, 2,000) 


. ‘Ritter Be Laid hip hiete LA cod nae ae ucaate & col ae a 
pen vay ates de la Cote de Grace 
- Honfleur,’’ Georges: Petit Galerie, 

' Paris oe Me loee se pernereee or a realy: 
Dupre: “La Charrette,” Georges Petit . 


| 


Gelarios o sukc hpi penne aust apumras 4,150 
‘Daubigny,. “Landscape: with Distant , 
tf Village,’ Georges) Petit... .cey css 9) LOO 

‘Diaz, “Pool at Fontainebleau,” Maric 
Otto ‘Bernet, AGeENL, . vies ocssueswwn an >» 5,000 
Rousseau, “Chaumerie en Picardie, 

Mr. W. L.: Austin. ......... PES wali 6,800 
‘Diaz, ‘Danse des Almees,” Georges . | 
SPretit seas,» «5+ Belgas Pp sea Oi oe. 4,200, 


Corot, Landscape, by the Sea,” Mr...” 
BRACEOR a cicadas oy iseaaleled ee de adysCun: 
’ Van Marcke, ‘‘Cows in the Meadow, af 


ie) Mir ORAL OP cuss Mae eae Wc cunt kv ts eae Boreas 7,200 
‘Cazin, “A Farmyard at Night, ih Mr. “cl 
RRIETET. ecto sen eluistt ae ar ineaie tae mama wiealeic 8,059' 
t aie “The Sewing Class,” “Mr. Pa a ree 
Hs aie ARONA apcatdinnp eve us oh Sue mE ark hale 2,050) 
br db pre Israels, OAL the Cathedral En-. 
} trance,’’ Mr. Alba’B. Johnson....... 5,950) 
| ‘#romentin, ‘‘An Arab Shepherd,” Mr, 1 
| FRAT HOE Hore ns c Sulit nae oe woes Sela noke mraleahe 2,000) 
|. Lhermitte, “The Gleaners,’’ Mr. Rit- 
|p TOM wep ene deeeee tens eeteerneneseesereess ces 5,850 | 
\. Von Brozik, ‘‘A Kreutzer Short,” Mr. 
ASU TI Us COL SS Ces Us cate die walang 1,450 
Verraris, co Visit of the Sheik to t 
Cairo University,” Mr. Ritter......: 1,000 
‘Vautier, “Dance of the Peasants,” 
MR BEM ot ccfne | cxideu tenae Site St 3,600: 
Defregger, “Arriving at the Ball,” a 
Mor, UA UStIm ris sed iieeleeiaie ec dijcals ei tiem cree 8,900 
Daaiel Ridgway ° Knight, “Gossips,” “| 
Mr. Beret, abent: ois cccsicescceesg her 2,100" 
Vautier,, “The Diligence Station, is 
Mr. D. G. TROPE Ie i camenersuncaneses 2,000 
Moreau, “A Masquerade,’’ Mr, Alba 
By NORMS OW sas uiy Cale, chara +e hy eaainel pues 1,050 
Daniel: Ridgway Knight, “Awaiting 
the Boats,’’, Mr. James  Elverson, 
Pes cOF PITA GS MON gy ieee iaswla’elein'y 2,550 


Rare. porcelains especially collected jn | 
China and other Oriental lands by Wan, 
manaka & Co. brought $27,630 yesterday’! 
aAftertioon atothe American Art ‘Galleries, | 
in Madison Square: South. The total to! 
date’ is $58;200, and the textiles are to bar | 
disposed ‘of this afternoon. . 

The highest price of the session, $4,300, | 
was paid for No. 292, a large sang de} 
boeuf by Mr.- Edson Bradley, of this city} 
and Washington. This fine specimen was | 
of about the same size as the famous’ 
vase called “The Flame,’ which brought! 
$7,000 in’ the Graves sale, and indeed much 
resemnbled it In quality...Mr. Bradley also} 
acqujred: No. 294,.a. sang: de boeuf \cylin-} 
drical vase, for $1,000, while'a well known 
eolléctor paid $1,900 for a large Lange Yao} 
Vase of red with many beautiful mareeeed 

tee erp cep at 


4 


—_ Cpe aee eee ei 2 


a 


ss 


ee > 


¥ 
+ 


a) 


9 a; 
a 


ee 


oe 


5 


viene 


ron _ FRIDAY, DECEMBER 80TH, UNTIL THE DAY OF 


ea akan Akins ae 


— 


“VALUABLE, PAINTINGS 


COLLECTED we THE LATE 


J OHN H. CONVERSE 


OF PHILADELPHIA 


ae a 


ee ; 4 : 
CS ae Ger ae arr jane an 
3 A oe a 
Ponds 
7 


SALE AT MENDELSSOHN HALL 


FORTIETH STREET, EAST OF pacehtes ee NEW TORK 


ON FRIDAY EVENING, JANUARY 6ru, 1911 


BEGINNING AT 8.15 O’CLOCK 


Subscriber’ 


Copy No 


s 


ile 


EDITION LIMITED TO ONE HUNDRED 


DE LUXE ILLUSTRATED CATALOGUE 


OF THE 


MODERN PAINTINGS 


FORMING THE 


PRIVATE COLLECTION 


“OF THE LATE 


J aaa! H. ee 


OF PHILADELPHIA 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE, BY ORDER OF THE 
PHILADELPHIA TRUST, SAFE DEPOSIT & INSURANCE 
COMPANY OF PHILADELPHIA 


AT MENDELSSOHN HALL 


ON THE EVENING HEREIN STATED 


THE SALE WILL BE CONDUCTED BY MR. THOMAS E. KIRBY, OF 
THE AMERICAN ART ASSOCIATION, MANAGERS 
NEW YORK 

. 1911 


CONDITIONS OF SALE 


1. The highest Bidder to be the Buyer, and if any dispute arises between 
two or more Bidders, the Lot so in dispute shall be immediately put up again 
and re-sold. 

2. The Auctioneer reserves the right to reject any bid which is merely 
a nominal or fractional advance, and therefore, in his judgment, likely to affect 
the Sale injuriously. 

3. The Purchasers to give their names and addresses, and to pay down 
a cash deposit, or the whole of the Purchase-money, if required, in default of 
which the Lot or Lots so purchased to be immediately put up again and re- 
sold. 

4. The Lots to be taken away at the Buyer’s Expense and Risk within 
twenty-four hours from the conclusion of the Sale, unless otherwise specified 
by the Auctioneer or Managers previous to or at the time of Sale, and the 
remainder of the Purchase-money to be absolutely paid, or otherwise settled 
for to the satisfaction of the Auctioneer, on or before delivery; in default of 
which the undersigned will not hold themselves responsible if the lots be lost, 
stolen, damaged, or destroyed, but they will be left at the sole risk of the 
purchaser. 

5. While the undersigned will not hold themselves responsible for the 
correctness of the description, genuineness, or authenticity of, or any fault 
or defect in, any Lot, and make no Warranty whatever, they will, upon re- 
ceiving previous to date of Sale trustworthy expert opinion in writing that 
any Painting or other Work of Art is not what it is represented to be, use 
every effort on their part to furnish proof to the contrary; failing in which, 
the object or objects in question will be sold subject to the declaration of 
the aforesaid expert, he being lable to the Owner or Owners thereof for 
damage or injury occasioned thereby. 

6. To prevent inaccuracy in delivery, and inconvenience in the settle- 
ment of the Purchases, no Lot can, on any account, be removed during the Sale. 

7. Upon failure to comply with the above conditions, the money de- 
posited in part payment shall be forfeited; all Lots uncleared within one day 
from conclusion of Sale (unless otherwise specified as above) shall be re-sold 
by public or private sale, without further notice, and the deficiency (if any) 
attending such re-sale shall be made good by the defaulter at this Sale, together 
with all charges attending the same. This Condition is without prejudice to 
the right of the Auctioneer to enforce the contract made at this Sale, without 
such re-sale, if he thinks fit. 

8. The Undersigned are in no manner connected with the business of the 
cartage or packing and shipping of purchases, and although they will afford 
to purchasers every facility for employing careful carriers and packers, they 
will not hold themselves responsible for the acts and charges of the parties 
engaged for such services. 


Tut AMERICAN ART ASSOCIATION, Manacers. 
THOMAS E. KIRBY, AvcTIONEER. 


Ronen sae ee OF Broapway _ 


: ON FRIDAY EVENING, JANUARY 6ru, 1911. 


: * i eee 
BEGINNING PROMPTLY AT 8.15 0’CLOCK 


ss GIROLAMO INDUNO 


. ee A _ ITALIAN | Ys; ho B 
eer (set) : cz aly 
WAITING FOR THE RENDEZVOUS 


Height, 12% inches ; Width, 9% inches. 


Ona de terrace, at the right of the composition, a young lady is seated 
2 on a stone bench, leaning her back against a pale-red brick wall, on the 
stone coping of which rest her elbows. She has removed her straw hat and 
eS laid it on a black shawl, decorated with blue and red flowers and green 
oY __ leaves, meanwhile shading her head with a lavender-pink parasol. The sun 

___ shines lustrously on her creamy satin gown, from under which project her 
in crossed feet, in white satin shoes and pink silk stockings. A mass of deep 
green foliage appears beyond the wall. : 


= pe | _ Signed at the lower right : InpuNo. 
Pies 
ie 


_ AN elevation of sandy soil on the left of the foreground is crowned with 


‘sponding wooded slope, under the bank of which a man sits talking to two 
children, who stand in the road beside a dog. The roadway winds back 


No. 2. 
E. MARILHAT 
. : peeeen | 
LANDSCAPE WITH WINDMILL 


(ED 


PANEL — . “3 


Height, 7 inches; Length, 13% inches. 


two oaks which stand in advance of a wood. On the right is a corre- 


across a heath to a windmill, which forms a conspicuous object in the 
middle distance. It is flanked by two white-walled cottages with mossy- 
green roofs, which are embowered in trees. In the distance toward the left — 

is an expanse of water, dotted with sails. It is obscured from view on the | 
right by a low, level grassy hill. Over the horizon extends a layer of | 
creamy clouds, above which spreads a broader mass of dove-gray vapor, - 
tipped with cream. ve : . | 


Signed at the lower right: E. MariLuat. 


No. 8 
oe GEORGES BRILLOUIN 


FRENCH | ee §.4. dtp» 
A DUET Cys 


Height, 10% inches ; Width, 814 inches. 


iE : “ PANEL 
| Wane an old Bee iecien vie his seat forward and bends close over his 
- music-rest, extracting melody from a violin, his white and tan hound lifts 
up his head and howls. The man’s figure is back to us, clad in blue 
cr a stockings and breeches, a long skirted coat of dull red velvet and a white ; 
- woollen skull cap. The latter is seen against a dark, rococo decorated cup- 
board beside which hangs a guitar. At the left of the foreground an empty 

violin case and music books lie beside a white chair upholstered in rose, 
Ores 7 back of which stands a spinet. On the wall hangs an oval gilt-framed 
ADEs Site portrait of a lady with pe cred hair. 


| | ane Signed at the lower right, Gzorczs BRILLouin. — 


No. 4 
HENRY FARRER 
Jo — : | oe AMERICAN 
(1843-1903) 
SPRING TIME 
Height, 12 inches ; Length, 18 inches. 
WATER COLOR 


A BROOK, whitened by the cool light, winds through the foreground of pale 
mossy grass. Over on the left the meadow is sprinkled with dull reddish- | 
purple bushes, beyond which extends a spinney, sparsely fledged with yellow - 
and orange leafage. On the right of the composition are other trees, almost 
bare of foliage. In the central distance appear faint indications of two 
cottages, seen against a low lavender-colored hill which lies under a white ~ 
horizon. a. 


Signed and dated at the lower left, H. Farrer, 1899. 


ae No. 5 ) 

VICTOR F. LECOMTE 

22 ; pe oe Bae FRENCH ; Agee 
Ree on THE EVENING HOUR A Ib Alle, 
Height, 16 inches ; Son 13 inches. 

PANEL 


Tue apartment is menetrated with Abo eiats half-shadows, the light being 
; EP eiguted on a table at the left, where a lamp with red shade is burning. 
-It floods with its glow some objects that strew the table: a statuette of the 
a - Venus de Milo, a blue ginger jar, a candlestick, teapot, platters and books. 
~ It also illuminates the figure of a lady, who sits beside the table stitching a 
lace handkerchief. She is dressed in a negligee, the creamy hue of which 
reflects in the lighted parts the rose of the lamp shade and in the shadowed 
parts the olive tints of the wall. Her feet repose on a Persian rug and the 
top of an escritoire shows behind her head. | 


= 


Signed and dated at the lower right, Vicror LecomTr, 1889. 


Pe ven) 


No. 6 | 
NARCISSE BERCHERE 


FRENCH 


(1822- ) 
MORNING IN CAIRO 
Height, 1634 inches ; Width, 12% inches. 


THE scene presents the perspective of a street in Cairo. Across the middle 
distance hangs a brownish-red awning, seen against white buildings. These 
are over-topped by a minaret, the greenish roofs of which spire up into the 
bluesky. A camel and its rider are approaching from the distance. The fore- 
ground is bordered on the right by a facade of white and pink masonry in 
horizontal stripes, and by another whose bare white surface, stained with — 
weather, is pierced at the top by a row of small windows and lower down | 
has two projecting balconies, screened with jalousies. In a stall on the street 
level a man is chaffering with a buyer who is wrapped in a red and white 
striped cloak. Near him stands a figure in black, bearing on its head a tray 
of oranges, while to the right four hooded and cloaked men are seated beside 
a pile of oranges and melons. yam 


Signed at the lower right, BERCHERE. 


No. 7 


FRAN CESCO RAIBOLINI GIOVANNI DA BOLOGNA 
| FRANCIA : 


ITALIAN, SCHOOL OF BOLOGNA : 
(1450-1518) 
POR TRAIT OF THE COUNT ODERICO POPOLI 
| Height, 16% inches ; Width, 13% inches. | 
PANEL | 


H 


/ ; 


_ THE portrait shows the head and bust of a young man in armor facing three- 


quarters to the left, while the eyes are turned toward the right. The head 


is covered with a close crop of golden-brown hair, and the complexion is a 


rich tan with warm red cheeks. The eyebrows are delicately pencilled, the 
nose is straight, the upper lip sensitively curved and the lower somewhat 
full, but both are firmly set together. The narrow white edge of a shirt. 
shows above the gorget, and the upper and lower parts of the plastron are 
joined across the chest by a twisted border. The right hand, held near the 
right shoulder, grasps a staff, while the left shoulder is draped with a dull 
brown cloak. The figure is disposed against a dark olive-black background. 


An inscription on the back of the canvas reads, ‘*Ritrato del Contre Operico Porous, Dipinto de 
Francesco FRANcIA.”’ 


OBerrteh Ugeus ) 


No. 8 
DANTE RICI _ 
| ITALIAN | a 4b, 

POMPEIAN GIRLS AT A SHRINE (/ 


‘ 


Bid 


Height, 16 inches ; Width, 10% inches. 


PANEL 


> 


THE wall of the chamber is decorated with panels of Pompeian design, and pate 
a garland of flowers swings from it to the ceiling. At the left is alittle ae 
shrine consisting of a pediment supported on Ionic columns. Within it 
appear a small bronze-seated figure and two still smaller standing ones. The 
whole is mounted on a base colored red, in front of which is a tripod altar. 
Into this a young girl in a yellow robe, draped below the waist with dove- 
gray, is sprinkling incense. A companion, robed in red, with a drapery of | 
creamy-gray bordered with gold, holds an offering of flowers, while a third _ 
appears to be scattering flowers upon the floor. Behind these figuresappears  _— 
the head of a fourth. _ se E 


Signed at the lower right, Rict, Roma. 


No. 9 


LOUIS EUGENE LAMBERT 


FRENCH 
-e: (1825- ) 
$75 ieee be, det 
. igs thea © Lespth 173s ine: 
WATER COLOR 


TuREE kittens are seated in a row, a fluffy white between two tortoise shells, 
intently watching a June bug. The insect appears over the top edge of a 
cardboard cube, which rests on a leather-bound book, upon which also lies 
a quill pen. A letter protrudes from beneath the book. 


Signed at the lower right, L. Eva. Lampert. 


Lice 


ETIENNE PROSPER BERNE-BELLECOUR 


FRENCH 


(1838-1910) LI russ 


AN ADVANCED PICKET 
Height, 5% inches ; Length, 9% inches. 
PANEL 


THE advanced pickets of a regiment of French infantry have occupied an 
apple orchard, which slopes up from the foreground. Here a soldier is 
seated with his cap in his hands, looking up at a bugler who stands with 
the butt of his rifle resting on the ground. To the left of them is a hastily 
constructed rifle pit. In the distance, at the top of the slope, a sentinel 
appears, near three comrades whose bodies only are visible over the edge of 
the ground. 7 


Signed and dated at the lower left, E. Berne-Betiecour, 1884. 


r nh NN rc End nay pees nm 
% tse, ‘ . 
/ . p; 


, 


wab 


No. 11 


V. CHEVILLIARD 


FRENCH 


( 


FACHEUX CONTRETEMPS 


IN a violent storm a curé, on his re- 
turn home from marketing, stands 
on the outside of the closed door 


of his rectory, much perplexed at 


being unable to fit his key to the 
entrance door, and is trying to pry 
some obstacle from the key. He 
has his back to the wind, which is 
driving the sheets of rain and agi- 
tating the loose ends of his cincture. 
Beside him on the ground lies an 
old-fashioned carpet-bag trunk, 
which from its bulging sides seems 
to be well filled with the good 
things of his quest, while a loaf of 
sugar, in its blue wrapping paper, 
rests against the door post. 


Signed at the lower left, V. Cukvituiarp. 


Exhibited at the Salon 1892. Purchased from M. Knorpier & Co. 


-1905 ) 


Height, 8% inches ; Width, 6% inches. 


PANEL 


No. 12 
TAMBURINI | 
Taree 3 ; iy op 


(184925 ..;°) 


. 


THE MONASTERY COOK - 
Height, 11% inches ; Width, 9% inches. 


A way brother stands licking a wooden spoon, as he savors the jam which 
has been cooking in a copper stew-pot. This rests on a raised stone slab in 
which is a depression filled with glowing embers. Over his brown habit 
the brother wears a bibbed apron with a hole in it. His face is rosy and 
wrinkled, the chin whitened with beard-growth, while grizzled curls protrude 
over his ears from under a white cap. , 


Signed at the upper left, A. Tamsurini, Firenze. 


No. 18 


| A. TAMBURINI 
v2, ae 


pole D brs lot 
ITALIAN 
(1843- —) : 
THE THEOLOGI CAL BOOK 
Height, 11% inches ; Width, 9% inches. 


AN old brother of a white-frocked order of monks sits with a large volume - 
upon his knees. It lies open, showing an illuminated capital on the left- 
hand page. He has paused in his reading, and his brown-stained face is 
wrinkled into a huge yawn. The figure is seen as far as the knees, disposed 
three-quarters to the left, against a bluish-olive background. 


Signed at the upper right, A. TamBurInI. 


No. 14 
JEHAN GEORGES VIBERT 


FRENCH 


i 775 — (1840-1902) 4 Vv Auge | 


PAPA’S TOILET 
Height, 11% inches ; Length, 15% inches. 
© PANEL 


InN a Spanish patio, decorated with a vine pergola that is supported on 
caryatid posts, a bull-fighter is completing his toilet. He is assisted by his 
daughter, who, while she holds the long ends of the rose-colored sash which 
is around her father’s body, turns an inviting smile to a young man 
standing at her side. Dressed in a sort of Albanian costume, consisting of 
white jacket and skirt, he bends forward as if to whisper to the girl, whose 
figure presents a charming picture in its dainty blue gown, partly covered 
with a flower-sprigged apron. 


= 4 
—— ee ee ee Le ee ae 


Signed at the lower left, J. G. Viper. 


No. 15 
JULES WORMS 


FRENCH 
(1832- ) 


= DEPARTURE OF THE ESPADA Ae 


Height, 1534 inches ; Width, 12% inches. 
PANEL 


As an Espada stands lighting a cigarette preparatory to his departure for 
the Corrida de Toros, a young girl looks at him admiringly. Clad in salmon- 
pink skirt and a black* shawl embroidered in roses and green leaves, she 
waits beside the doorway, holding his two swords. The man is resplendent 
in a lavender plum-colored coat and breeches, decorated with silver galloon. 
His cloak, of a beautiful old-rose hue, lies over a chair, beside a table on 
which are a box of cigars and a cordial bottle. 


Signed at the loner left, J. Worms. 


No. 16 


JEAN RICHARD GOUBIE 


FRENCH 


X10 — Ae ht Ader 


THE INTRUDERS 
Height, 10% inches ; Length, 1434 inches. 
MILL-BOARD 


THE composition centers around a small pool which is bounded on three 
sides by steep banks covered with shrubs and vines. ‘Two horses stand in 
the water, a white one holding its head over the back of a bay which is 
drinking. Meanwhile their intrusion is being resented by a drake which is 
quacking in the foreground and by seven ducks which raise a chorus of 
protest on the right bank. <A streak of yellow light crosses the meadow at 
the back of the scene. 


Signed and dated at the lower left, R. Gousm, 1883. 


' re ite 
ee ee ee ee ee ee ee 


| No. 17 | 
EUGENE LOUIS GABRIEL ISABEY 
FRENCH 


(1804-1886) 


b/0 : AVENGED» ; Ub. Gta: ) 


Height, 9% inches; Length, 13 inches. 
PANEL 


A CAVALIER stands wiping his rapier, as he looks down upon the form of his 
enemy stretched, with grasped rapier, on the floor. The body lies on its 
back, beside a four-post bed with dull yellow hangings. Two King Charles 
spaniels are timidly sniffing at the face of the dead man, their little bodies 
being seen against the white cloth of a table on which rest a flagon, glasses 
and fruit. In the shadow of the chamber, on the right, a lady’s figure is 
seen in collapse near a fallen stool. The costumes of the men belong to the 
trunks and hose period of the seventeenth century. 


Signed and dated at the lower left, E. Isangy, ’67. 


EDUARDO ZAMACOIS 
SPANISH 
(1842-1871) 
THE RENDEZVOUS 
Height, 16% inches ; Width, 1234 inches. | 


Tuick foliage forms a screen on each side of a high iron gate at the back of 
the scene. Behind its bars appears the figure of a lady, toward whom a 
cavalier is approaching on foot, while his horse, a chestnut with flowing 
mane and tail, waits at his back. The gentleman, clad in a golden-yellow 
costume, bends forward with a sweep of his black beaver. In the foreground 
the turf is scattered with large green leaves and grayish flowers or dandelion 
puffs. On the right of it, facing the spectator, sit two black, tan and fawn- 
colored grayhounds. 


Signed at the lower left, Ep. Zamacots. 


No. 19 


RUBENS SANTORO 
pie | 


VE 


ITALIAN 
PICCOLO CANALE, SAN TROVASO, VENEZIA 
Height, 16% inches ; Width, 10% inches. 


_ Tuer Little Canal, which is near the Academy of Fine Arts, on the south of 
the Grand Canal, leads back from the foreground. On the left of it lies a 
boat in the bow of which stands a woman, while its large yellow sail hides 
half of the arch of a bridge that spans the water in the middle distance. It 
leads from a quay on the right of the foreground, where two women carrying 
buckets have met, and a third, draped in a black shawl and holding a red 
fan, is coming toward the front. In the background, interspersed with 
some masses of green foliage, is a perspective of white houses with brown- 
tiled roofs, above which the cupola of San Trovaso rises against the sky. 


Signed at the loner right, Rusens SANTorRo. 


/8 5 - 


= Raat) cere we tas 


No. 20 


ALBERTI PASINI 


ITALIAN ; oD Yh fi va 


(1826-1905) 
AN ORIENTAL BAZAAR 
Height, 10% inches ; Length, 13% inches. 


A CORNER, formed by the meeting at right angles of two rows of Oriental 
buildings, is filled with the variegated animation of buyers and sellers. Along 
the facade on the left are fastened three horses whose tails are toward the 
spectator, while a fourth stands sideways. A man is dilating on his good 
points to a prospective purchaser, who is clad in a yellowish costume. Over 
toward the right of the scene another bargain is being discussed, as a man in 
buff expatiates on the merits of a bay horse with dun mane and tail to a 
companion, whose back, turned to us, is wrapped in a lavender-colored 
cloak. Farther to the right a Nubian attracts the attention of a knot of by- 
standers by his dancing and gesticulations witha tambourine. Nearer the 
foreground, on this side, a man presides over a heap of green melons and 
lemons. 


Signed at the lower right, A. Pastnt. 


No. 21 
PIERRE EDOUARD FRERE 


FRENCH 


(1819-1886) 


es 
oy, 


MS O—> THE LITTLE HOUSEWIFE eas es ae 
: Waihi ea dnches - Width, 10° tochos: 
PANEL 


As the sun streams through a cottage 
window on to a table set with two 
rush-bottomed chairs and prepara- 
tions for déjeuner, a little girl stands 
slicing bread into a soup tureen. The 
light falls on her fair hair and the 
bosom of her blue and white striped 
dress. Behind her a few little pictures 
spot the luminous greenish-drab wall, 
and add an artistic tone to this hum- 
ble Brittany interior. On the left is . 
a cook stove, with its tall pipe, and 
near the latter hang a salt box and 
ladle, while a cauldron rests on the 
floor. In the background on a shelf 


is a tankard, several bottles and other 
utensils. 


Signed and dated at the loner left, Epovarp Frirn, °80. 


bs) ug eR 


ars ia tent 


PAUL LOUIS NARCISSE GROLLERON 


FRENCH 
(1848-1901) Alby B. p08) 
CAMP FIRES 
Height, 15 inches ; Length, 18 inches. 


AROUND a small fire of sticks, in the foreground, sits a picket of French 
infantry in red caps and trousers and blue overcoats, three of them listening 
as their comrade reads a letter. Over the brow of a mound which rises 
behind the group appears the smoke of another camp fire, near which two 
soldiers, standing in conversation, are outlined against the sky. 


Signed at the loner right, P. GROLLERON. 


No. 23 
WINSLOW HOMER, N. A. 


AMERICAN 


ae iB (1836-1910) ; 
| MUSICAL AMATEURS Ing tay 


Height, 18 inches ; Width, 15 inches. 


AN interesting early example of a 
master, recently deceased, who to 
the present generation is better 
known for his marine subjects. 
The scene is that of a studio, the 
walls of which are a dull red, 

, browned with shadow. Meanwhile 
in the center of the room the light — 
falls on two easels and two men 
seated side by side in front of 
them. The farther one, in his shirt 
sleeves and a black vest and trou- 
sers, is playing a violin, while his 
companion, dressed in white nan- 
keen trousers and a black swallow- 
tail coat is accompanying on the r oe ni set 
’cello. Over the back of this man’s ety ie a reds apron re Saas a 
note of color to the composition. 


Signed and dated at the lower center, WinsLow Homer, N. A., 67. 


700— 


EUGENE LOUIS GABRIEL ISABEY 


(1804-1886) 
HARBOR ENTRANCE, WINDY WEATHER 
Height, 13 inches ; Length, 19% inches. 
PANEL 


From the center of the foreground juts back a wooden bulkhead, which is 
paralleled by another on the left, the two forming the entrance to a harbor. 
At the extremity of the left-hand staging rises a small tower-shaped light- 
house. Over it flies a French flag, which is straining at the halyard 
attached to a flag-pole on the central bulkhead. Around its base is a group 
of figures, and another appears farther back. The outside water, on the 
right, agitated by the wind, is rocking some sailboats. They are discernible 
in the shadow of a slaty-drab cloud, shot with gold, across which two gulls 
are flying. .A third is seen against the upper blue, beneath which, over the 


center of the horizon, lies a cloud-mass of rosy cream. 
} 


Signed at the lower left, EK. Isanry. 


on AK EH, 


No. 25 


JULIEN LE BLANT 


FRENCH 
(1851- ) 


REQUISITIONING QUARTERS 
/ GO Height, 15% inches ; Length, 22% inches. Sow : cA Lula 


PANEL 


Two infantry soldiers of Napoleon’s army have arrived in a village to 
requisition quarters. They have presented the official billeting paper to an 
old man in a short red jacket who is trying to decipher its contents. His 
barrow is beside him containing a wooden rake and two copper milk cans. 
Above him spread the boughs of an apple tree sprinkled with fruit. In the 
meantime one of the soldiers has removed his shako and is mopping his head 
while the other stolidly awaits results. Behind the group is asmall pool; on 
the far side of which appear a yellowish-pink plastered cottage with a high 
thatched roof and an adjoining barn of pink brick. 


Signed at the lower right, J. Le Buanr. 


FRANCOIS LAMORINIERE 


FRENCH 


She De aes (1828- ) 
THE HEATH, CALMTHOUT 
Height, 16 inches ; Length, 28% inches. 
PANEL 


THE scene, in the neighborhood of the village of Calmthout, some sixteen 
miles from Antwerp, shows a stream winding between banks that are clothed 
with mossy cushions of grass, yellowish and cool green by turns, and 
interrupted by spots of sandy ground. It is bordered on the left by a stretch 
of heath, over which approaches the distant figure of a woman carrying a 
faggot of sticks. She is coming from a wood that crowns a low sand hill. 
On the horizon appears a strip of sea bounded by whitish cliffs. Lying over 
them are horizontal layers of mauve, rosy-yellow and white clouds, above 
which are larger volumes of rosy-white vapor breaking into blue. 


Signed at the lower right, Francois LAMORINIERE. 


‘an 


SERICORDIA 


ATA 


& 
> 
~ 


oe 


2675 


No. 27 
MARTIN RICO 


SPANISH ~ 


(1850-1908) 3 Gao . 
MARIA DELLA MISERICORDIA : 
| Height, 1734 inches ; Length, 28% inches. 


From the left a wooden bridge crosses the canal to a grassy quay, on which 
stands the church of Santa Maria della Misericordia. Its facade is in the 
Baroque style, decorated with statuary and surmounted by a semi-circular — 
pediment. Adjoining it on the left, is a building, pierced with windows, 
embellished with Venetian Gothic ornamentation. A lady, holding a red 
fan, is crossing the bridge, beyond which appear a red and a dull yellow sail : 
and a distant view of the Campanile. Lying beside the quay, on the right 
of the foreground, is a gondola, occupied by three figures. 


Signed at ‘the lower left, Rico. 
Purchased from M. Knorpurr & Co. 


Rega hy 
* £ 


tae No. 28 
| Seas ; _ JEAN ERNEST AUBERT | 
| a ia to 800 ete . FRENCH . Ths While 


(1824- ) 
LOVE DISCONSOLATE 
Height, 23 inches ; Width, 18% inches. 


In a forbidding scene, covered with snow, two little naked, white-winged 
Loves are seeking comfort in a fire, fed by their arrows. One sits with his 
hands stretched out to catch the heat, while the other breaks an arrow 
across his knee. The latter wears a bandage, which has been lifted from 
his eyes and encircles his blond curls. 


Signed and dated at the lower right, Jean AuBERT, 1897. 


No. 29 


BENJAMIN VAUTIER 


GERMAN-SWISS 


(1829-1898) 


A eS WAITING FOR PERMISSION US ba 
Height, 264 inches ; Width, 20% inches. ; tem a 7 


A YOUNG peasant of the Black Forest 
stands in a cottage doorway, gazing 
at a comely girl who is seated beside 
an old man. She lays her hand on 
his arm, and seems to be telling him 
of her lover, for the old man glances 
sideways at the youth. The latter, 
.| meanwhile, with one foot on the . 
threshold, his right hand on his hip a 
and the other across his chin, as he 
leans his elbow against the doorpost, 
seems to wait for permission to enter. 
The girl is attractively dressed in a 
grayish-blue frock, partly covered by 
a rosy, salmon-colored apron. A 


, = ‘*hutte’’ lies on the stone-flagged 
floor beside her, and on the left of the foreground is a basket containing 
curly blue cabbages. 


Signed and dated on the lower left, B. Vautmr, Df. ( Dusseldorf), 1887. 


ANTOINE VOLLON 


£00 ——— FRENCH Wh DOH 


(1833-1900) 
STILL-LIFE 
Height, 2534 inches ; Width, 21% inches. 


Conspicuous among the objects, disposed upon a crimson tablecloth, is a 
helmet with crest or comb but no vizor, of the type known as a morion. 
It is of Sixteenth century workmanship, wrought in whitish steel, dam- 
ascened with gold which has been considerably worn by polishing. Near it 
is a plum-red flagon, a crystal mug, with lid, handle and decorations 
of silver-gilt, and a golden medallion attached to a chain. On the medal- 
lion is the head of a man somewhat resembling the Duke of Wellington. 


Signed at the lower right, A. VoLton. 


Pe ee ee ey a me hee, Sx. 


a 
4 


ih ae, 
7 2 aaa 


= WA caress UTR OOE ree Came salrys, :790 22° 


iM t 


RSS aaah Se TP GLB! VO i reenter cage teats eS 
— " cag Soe as ARLES OST 


No. 31 Soe 

JOHANN BARTHOLD JONGKIND 
5 ea. - ae see | 3 : | r oo 
£000. ~— Ga19.1800) | ff L, 
DUTCH CANAL BY MOONLIGHT 
Height, 16 inches; Length, 25¥4 inches. | 


PANEL 


Acainst the luminosity of the moonlit sky a windmill rises darkly on the _ Ba 
right bank of the canal. In the shadow beneath it a barge is being brought a 
to its mooring by two men, one of whom hauls on a rope while the other y 
pushes with a pole. In the center of the stream, a boat with its sail down rs ; & 
is being poled along by two men. It is moving in the direction of a tall, _ ee 
arched bridge, supported on three piers, behind which are dimly visible , 
another windmill and some trees. The moon is at full, surrounded by a 
scattered aureole of warm, yellowish clouds. 


Signed and dated at the lower right, JonekinD, 69. 


Ps Ry Re 


~ rete tg 


‘ 


‘THE FLOCK AT HOME 


2 


CHARLES EMILE JACQUE 


’ 


- CATALOGUE No. 82 


. th A 


No. 82 
CHARLES EMILE JACQUE 


FRENCH 


2g Bp (1813-1894) : : : - Oe we 3 
: THE FLOCK AT HOME fh, / - 
Height, 1834 inches ; Length, 26 inches. : ay | Sone 


THE wall of the stable interior is a silvery Bheh cede ‘Thuminated eee 


upper left by a streak of light, which falls across a portion of the plasteron 


which a lantern hangs. In the center of the floor stand two ewes and two 
well-grown lambs, all facing to the front, where a dark brown hen is scratch- 
ing in the straw. To the left of this group are two other hens, beside a 
sheep that is lying down. Over on the right, a lamb is reaching up to a 
rack, stuffed with yellow fodder. Meanwhile, in the center of the middle 
distance, through an opening into an inner stable, the back of the shepherd, 
clad in a blue blouse, shows against the golden-brown obscurity. 


Signed at the lower right, Cu. Jacque. 


LAGE STREET, MOONLIGHT ae £ 


each 


ue No. 83 
FRITZ THAULOW 

| _ NORWEGIAN 23 

| V ke is 3 ; | (1847-1906) . Soap 23 3 
VILLAGE STREET, MOONLIGHT y Mf, 

Hsew, 1934 inches ; Length, 25% inches. 


At the end of the eine street, dark, shaggy masses of foliage aay 
against a deep blue sky, pierced with several stars and lighted by a moon, 
invisible on the left. Two figures are vaguely distinguishable, passing 
beside a cottage with high-pitched roof, from a window in which gleams 
an orange-yellow light. This is on the right of the street, and is succeeded 
nearer to the front by a cottage with red-tiled roof, in front of which stands 
a cart, painted blue. Next to it is a house, whose steep roof of thatch is 
surmounted by a coping of tiles. A gateway, with brick piers, and the 
angle of a reddish roof, close in the right of the foreground. On the left 
of the roadway lie the scattered shadows of trees that are outside the scene. 


Signed at the lower right, Frirz THauLow. 


No. 34 


NARCISSE VIRGILE DIAZ DE LA PENA 


FRENCH 


(1807-1876) 


| LANDSCAPE STUDY pee 


Height, 634 inches ; Length, 10% inches. 
PANEL 


SKETCHED in freely and vigorously but with an abundant suggestion of nat- 
ural facts, the scene represents a foreground of yellowish, olive-colored 
grass, strewn with gray and drab boulders and interspersed with tufts of 
reddish-brown grass. It slopes down from the left, cutting across another 
undulation of similar formation which approaches from the right. In the 
distance beyond their intersection lies a darker mound of slaty-purplish hue, 
the top of which, like the elevation on the right, shows a few scanty 
trees. Over the horizon lie horizontal streaks of creamy-white cloud-tufts, 
which are succeeded above by larger masses of drab and dove-colored vapor. 


Signed at the lower left, N. Diaz. 


Gs 


: | No. 85 


JEAN BAPTISTE CAMILLE COROT 


FRENCH 
(1796-1874) | : 
: HONFLEUR—CALV AIRE DE LA COTE DE GRACE é + 


Sb 00 ret Height, 1134 inches ; Length, 16 inches. F 4 ie Es 

PANEL Loo / Setib, Gy “allnrwes 2 a 
THE left of the foreground is occupied by a grove of trees whose drab-gray 4 
trunks, flecked with brown, cast diagonal shadows across the carpet of grass. 
The latter is broken up with scattered spaces of sandy soil that catch the 
slanting light. Here two figures are disposed, the one seated, the other 
reclining. Over on the right four women are grouped in attitudes of 
reverence around a crucifix which surmounts a base composed of three steps. 
The high shaft intersects an expanse of water bounded by cliffs, while the 
figure at the top is projected against the greenish pale-blue sky. The 
women’s costumes are distinguished by touches of white, black and rosy 
crimson. Two other persons in black and white, which suggest a priest and 
acolyte, are moving away in the background of the group. 


Signed at the lower left, Corot. 
Described in ‘‘L’CEuvre de Corot,’ by ALFRED Rosaut and Moreavu-NéEtaton. No. 224 bis. 


f : a 
So CURE ee 
oe | 
 — »,» @A \ 
Drtie Sees ae 


Re 


+ Sake 


g : 4 
eee eS eee ee ee ee Bae ee 


No. 86 
JULES DUPRE 
FRENCH 
(1812-1889) 


LA CHARRETTE SS) ly vr; bi - 


Height, 1034 inches ; Length, 16% inches. 


20 


In the afterglow of a sky, whose scattered clouds of cream are flecked with - 
be rose, obscurity is gathered over the landscape. Its foreground presents a 
, shallow stream in which a dull red ox is standing. It is harnessed to a cart 
piled with hay or grass which is being loaded by a man who stands on top 
assisted by another pitching from the ground. To the left of this group a 
shepherdess is seated on a fallen tree-trunk with her flock beside her while 
two of the sheep and a goat stand in the water. On the right-hand side of 
the stream lie two more oak stems and some severed limbs. 


Signed at fie lower right, J. Dupre. 


ro 


a7 Lom 
my 


yee: 


ANDSCAPE WITH DISTANT VILLAGE 
CHARLES FRANCOIS DAUBIGNY 


f f . zx oY. . 


CATALOGUE No. 87. 


; 


No. 37 | 
CHARLES FRANCOIS DAUBIGNY 


FRENCH 


7700 —- : . (1817-1878) 


LANDSCAPE WITH DISTANT VILLAGE 


Height, 14% inches ; Length, 2674 deat ws dt. Wh fi 


PANEL 


Vury broadly and effectively canter the foreground shows a slope of richly 
hued, golden brown and olive sandy ground on which three seated figures 
make spots of black, dull blue, red and white. The stretch above them 
is clothed with tussets of coarse grass. On the right of the foreground 
are indications of a stream, beyond which appear the dark, red roofs of — 
cottages nestling amid a few trees. The background is closed in with a 
greenish-drab hill, lying low beneath a greening, vaporous sky. 


Signed and dated at the lower left, Dausiany, 1876. 


NARCISSE VIRGILE DIAZ DE LA PENA _ 
, | FRENCH | 


- (1807-1876) 


eS POOL AT FONTAINEBLEAU 
z L000— ae Height, 17% inches ; Length, 25% inches. Obs | l(, 


PANEL 


THE pool is on the right of the foreground, surrounded by brownish-olive 
and yellow grass, interrupted by a single gray boulder. The water reflects 
the gray and blue of the sky and the brown and creamy trunks of six young 
oaks which form an irregular screen at the back of the pool. Their yellow- 
ish-green foliage and brown limbs show against flusters of white cloud, 
interspersed with pale blue. On the left of the composition is a grassy 
mound, topped by a few bushy trees. 


Signed and dated at the lower left, N. Diaz, ’69. 


et 


re ee 


CHAUMIERE EN PICARDIE 


la 


THEODORE ROUSSEAU 


a 


CATALOGUE No. 39 


6$00-—— 


25 No. 39 | 
THEODORE ROUSSEAU 
: : cece | | 
(1812-1867) 
CHA UMIERE EN PICARDIE 


Height, 21% inches ; Length, 29% inches. 


the top of an elevation on the right of the composition, the smoke from its 
single chimney showing gray against a background of oaks. The slope is 


composed of sandy soil, irregularly spotted with boulders and tussets of 
coarse grass. Toward the right of it grows a bush, covered with pink and 
creamy blossoms, near the approach to a wooden foot-bridge which spans a 
brook. A girl is crossing it, dressed in a white cap and waist and a bright 


blue skirt. Her figure is seen against a low, grassy slope, crowned with F 


trees, the olive-green foliage of which is interrupted by another mass of rose- 
cream blossoms, growing on a tall stem. The sky is filled with volumes 
of rosy lavender and warm white cloud. On the back of the canvas is a 
certificate in French that the picture entitled ‘‘Chaumiére en Picardie’’ is 
by Théodore Rousseau and was so entitled by the master himself. 


Signed at the loner left, TH. Rousseau. 


THE cottage, with its thatched roof, is seen embowered in apple trees, at 


2 
a 


KORE re all ee: 


PLE OO 


: No. 40 | 
NARCISSE VIRGILE DIAZ DE LA PENA 
| | | ee | | 

(1807-1876) 
DANSE DES ALMEES 


Height, 21% inches ; Length, 31% inches. 


THE scene represents an Oriental reception hall, open on the left with a iat 


portico, supported by columns. The low, slanting rays of the sun pour 
through it, flecking fantastically the necks, cheeks and costumes of three 


dancing girls and the richly-apparelled groups of spectators. One girl, ina 


full white skirt, is serpentining in the dance alone, while the other two are 
circling round together. Two lute players are seated in the shadow behind 
them. The right of the scene is occupied by gentlemen, reclining on 


low divans, behind which is a row of standing women. Meanwhile, the 


ladies of the harem, with some children, form a group on the left of the 


composition. At the back of the scene, an arched entrance leads into a 


vaulted chamber, where standing and seated figures appear in a haze of 
illumination. | 


Signed near the lower left on the base of a column, N. Diaz. 


Lallaic, fn, Telche 


eo 


BAPTISTE CAMILLE COROT 
BeraccumN a | 
t yy : 


eet OO 


| oe 
Ea 


No. 41 
JEAN BAPTISTE CAMILLE COROT 
FRENCH 


(1796-1874) 


LANDSCAPE sare THE SEA 
4. bila, 


Height, 3834 inches ; Toa 51 inches. 


NEAR two boulders on the left of the foreground, springs the sturdy ecune 


of a birch, with a few limbs, sprinkled with leaves. Alongside it runs 
diagonally a sandy road, on which a woman in white cap, blue waist, partly 
covered with a pink tippet, and a slaty-purplish skirt, stands holding the 
hand of a little child. Over on the right is a slight knoll on which a figure, 
distinguished by a scarlet cap,is seated at the foot of a birch, one of a clump 


of trees that form a mass of golden-brown and silvery, grayish-green : 


foliage. At the foot of the knoll, three cows appear in a meadow which 
stretches back to a line of cottages, with brown and lavender roofs, lying 
along the edge of an arm of the sea. The latter is bounded in the distance 
by faint lavender cliffs, under which red roofs are faintly discernible. The 
sky is filled with a warm shimmer of creamy-rose vapor over pale blue. 


Signed at the lower left, Corot. 


een Yeaig 7 3 RT 


ILE VAN 


| CATALOGUE N 


oe 


No. 42 — 7 oe 
EMILE VAN MARCKE 
: FRENCH 

KOO ; 
| Z =* (1827-1890) - | 
COWS IN THE MEADOW 
Height, 31% inches ; Length, 40 inches. 


THE sky is piled with slaty-drab rain-clouds, which darken on the left to a 
dull purple. Against this lowering mass, the silvered trunks and sparse 
green leaves of two young oaks cut sharply. A transitory gleam of pallid 
light strikes across the middle distance of the meadow, where a yellow cow 
and white horse are standing and a dun cow is lying down. On the right 
of the foreground, where a little pool of water also catches the whiteness of 
the light, lies a red cow with white face, beside which is another with dark — 
brown and white markings. Over on the left of the foreground, a red and 
white cow grazes as she moves along toward the center. 


Signed at the lower left, Em. Van Marcxe. 


jhe Hae hae a. 


fee 


£ J. 
2 ‘De pal Ai ¥ : 
Oe 
at . 
eel ; 
Gi} <, ae Bae 


a No, 48 
JEAN CHARLES CAZIN 
| FRENCH ue 
(1840-1900) | 
A FARMYARD AT NIGHT f ff fi 
O Hieiglt te melee Vea 20s eee Paks: 


A moon, hidden on the left, illuminates the pale blue vapory sky, which is 
pricked with bright stars and streaked with a scarf of white cloud. The 
moonlight is. reflected on the right-hand side of the farmyard, where it 
makes a gleaming patch on a barn wall and glints upon the spiky foliage — 
of a bush which overhangs a well. The latter, on the immediate right 
of the foreground, has two piers, supporting a beam and wheel, from which 
a double rope hangs down over the circular stone well-head. The yard is 
bounded at the back by another wall, where a rude gate appears, near which 
are resting a ladder and two poles. The corner on the right is occupied by 
bushes and a pig-stye, above which, on the farther side of the wall, appear 
the brown roof and gabled windows of a cottage. 


Signed and dated at the lower left, J. C. Cazin, 1882. 


CIS. nae 


Pies aes 2 are a No. 44 


WILLIAM T. RICHARDS, N. A. s 
| AMERICAN | 
| i ARP (1833-1905) 
| Z : MOONLIGHT MARINE Lilles bhnocr 
| E. iy | he Height, 1934 inches ; Length, 40 inches. 


A FULL moon, hanging low, tinges with faint yellow the gray of the sky 

a and the horizontal streaks of cloud, and lays a pathway of light over the sea. 

oP ine latter, pale olive-green, luminous with silver and cream, approaches in 

3 f smooth, low heaves, which break on the flat sand into long, sliding curls 
of gleaming water. 


kao Br ‘Signed and dated at the lower right, Witt1am T. Ricuarps, 1886. 


e 


| No. 45° st of 
JOHANN SIMON HENDRIK KEVER 


DUTCH = — 


KOs We . came ) 


THE SEWING CLASS Ibu, SA 


ie es 30% inches; Length, A2vh inches. 


A SEWING teacher is conducting her class in the open air, the whole party : a 


being seated in front of a dull, red-brick cottage with buff-drab thatch. 
The woman, dressed in a salmon-pink waist and bluish-drab skirt, is on the 
left of the group, with her back turned partly toward us, as she bends over 
her needlework. At her left is the solitary figure of a little girl, busily 
knitting a black stocking. In front of the teacher sit five children in a TOW, — 
the two end ones stitching, the others knitting. Each one, with her distinct 
character of expression, is diligently absorbed in her work, the dresses of the 
whole rank forming a pretty bouquet of colors—pink, olive-brown, gray and 
pale blue. Behind them appears a hedge, with apple trees showing beyond. 


Signed at the lower right, Krver. 


SS ee 


= 


ring ee | 4 No. 46 


ss FERDINAND HEILBUTH 


GERMAN (NATURALIZED FRENCH) 


10 Bo i (asour 1834- ) | 
| BOATING PARTY ON THE THAMES NM. Hoth, 


Height, 2734 inches ; Length, 34% inches. 


PLEASURE boats are moored along the left bank of the river, under the 
shadow of trees, which also shelter a boathouse. In front of the latter, a 


landing stage pro} ects into the water. ‘Two ladies are standing on it, one 
with her back to us, dressed in a white gown and orange-yellow sash. 
Behind them a punt lies alongside the landing, held in place by a waterman 
in a red shirt. ‘Two ladies are seated in the stern, near a man in a drab 
coat with a creel slung from his shoulders, while another man with Dun- 
dreary whiskers is standing. Meanwhile, in front of the landing stage lie 
two skiffs, side by side, one of them keeling over, as the gentleman in it 
leans across to whisper to the lady who occupies the other. The farther 
bank of the river is bordered with trees, some of which are yellow in the 
sunshine. 


Signed at the loner left, F. Hettputu. 


. AT THE CATHEDRAL ENTRANCE 
St 9g $0 — | 


No. 47 
JOSEF ISRAELS 
ae 


(1824- +) 


- Height, 203% ey Bea Width, 18 inches. Wf, as 
. LUO 


PANEL 


In what appears to be the vestibule of a cathedral, an old woman sits facing 
the spectator. The valance of a white cap frames her wrinkled face, which 
is bowed toward a book that she grasps on her lap. Its cover is brown and 
a red marker is inserted between the leaves. She wears a greenish shawl, 2 
fastened over the full white sleeves of her waist, and a rich olive-black skirt, 
drawn up so as toshow adull peacock-blue petticoat. Her feet rest on a little 
stool. The floor around her is of buff-red tiles, stretching back to a flight of 
four steps, which lead to a perspective of arches and vaulted ceiling, sup- 
ported upon columns. To the immediate left of the figure is a vertical 
band of creamy drab masonry, showing the indications of clustered pillars. 


Signed at the lower right, Josn¥ IsRAxELs. 


hee PS ie mE PSS PT cet trite pr 


Se eT eee 


No. 48 


F. LEBRET 
FRENCH | 
Contemporary 


re Height, 23% inches ; Width, 22% inches. 
| 


| a ON a mound at the left of the foreground with her dog beside her a 


_ shepherdess is seated, leaning forward with her hands upon her lap in an atti- 


tude of fatigue. The light strikes onher white tippet and on a black and white 


_ealf which stands near her. Beside it is the mother, a red dun with white 
head, facing away from the spectator. Farther back on the right are three 
sheep and a dark brown cow, while still another cow, red and white, appears 
in the background. The meadow slopes up to a slight eminence on the left, 
crowned with a coppice, out of which grow a few tall trees. The lavender- 
blue sky is piled with volumes of creamy cloud. 


Signed and dated at the lower right, F. Lesret, 1872. 


LANDSCAPE AND CATTLE 4? Yaothy 


OS Se WNo.-40 | 

EUGENE FROMENTIN 

FRENCH os eas =: we <a 
Genie. hb AAU y 


AN ARAB SHEPHERD 


Seer 


Height, 17% eee Length, 33% inches. 


Tue sheep are bunched and scattered over an expanse of buff, drab ae mite 
slightly brownish ground, bordered by a growth of pale yellow-green verdure 
that is cut irregularly into rectangular forms. At the back of it is a walled — 
and towered enclosure similarly rectangular in its outlines. Over the top of 
this group of buildings appear the fan-like growths of palm trees. In the | 

_ foreground, leaning on his elbow, reclines the ane his bronze back 
exposed to the spectator. 


Signed at the lower right, Eve. FRoMENTIN. 


Pot aa “3 


\ 
1 


—e Se et er — 
ae “ 1 .~ a i 7 : 
. a ¥ t.2¥ CS 
: i 4) \. ‘ 
mm Fay, = ie = ws ks tie ern 
= (ir : 7 , ee Pee 7 ¥ A 
aby ha ~- @ Z ‘, = * = is 
re : =~ . B *, A ~~ = 
- P “_%< kiees yy, ‘ E * 
wt 2S ? = > eo ae oe “Sa: 1 ‘ ey 
aT — p+ bi yy 
5 yt 4 , 


Sea Chae neat 
4 


io See 
Lei 
‘ 


i ae | No. 50 
ss GIOVANNI MUZZIOLI 
: ge ITALIAN > 


E230 - | (1854-1894) , KL by, A 


THERE'S MANY A SLIP 
Height, 27% inches ; Width, 19 inches. 


A GREEK maiden laughingly eludes the embrace of her lover. She has been 


- seated on a marble bench, decorated at the ends with winged female forms, 


which abuts on to a balustrade extending back from the right of the fore- 
ground. Her lover, a dark-haired youth‘in a creamy tunic and crimson 
drapery, has stolen up behind her. From the outside of the terrace he has 
reached over the balustrade and caught her primrose veil; but, as he reaches 
out his arm for further favors, she has sprung from her seat and stands 
mockingly just beyond his grasp. The terrace ends at the rear in a marble 
stairway, on the first landing of which is a statue on a pedestal. The terrace 
surmounts a hill, for on the right appears the peep of a city low down among 
trees. 


Signed at the lower left, G. Muzzio. 


x 


| No. 51 
AUGUSTE TOULMOUCHE 
FRENCH 


/ O— : (1829-1890) 
LE LIVRE SERIEUX 
Height, 32% inches; Width, 25 inches. 
PANEL 


Two ladies while seated on a sofa reading have dropped asleep. One of ey Ss 
elegantly attired in an olive-velvet gown with pale blue silk tablier and sash, 
has sunk back on to the blue and old rose embroidered cushions, her arm still % 
around the neck of her companion. The latter, on whose lap the book i is | 
lying, is dressed in a negligee of lavender-pink material striped with silvery-_ 
white. It is edged with broad lace and opens over a lace-flounced petticoat. 
Behind the sofa stands a decorated Chinese screen. 


Signed and dated at the lower right, A. ToutmoucneE, 1874. 


2 


Rote 
Ee 
= 
PEO ere 
Se pf 8s 
A 
eRe ae | 
pe eee SS 
en Oe 
Sahar asl — < 
ars 
me) 


ze L 


Fa arp ll a Tp Nl TE I ln AN A Tic a 


Dine 


No. 52 : = ae 

LEON AUGUSTIN LHERMITTE 
: re . 

(1844- ——) | a , . Be 4 a 

THE GLEANERS CO Kddin 

Height, 2034 inches; Length, 3034 rs, oo : ie 


From high up on the left a stretch of stubble field descends steeply tothe _ 
foreground. Here is a group of three girls gleaning. The nearest of them, 
clad in a striped green and blue bodice and a brownish-red skirt, with her 
white apron caught up as a bag, is stooping to the ground. Behind her, just 
about to stoop, stands another girl at whose left is the third in upright 
position arranging in a sheaf the ears which she has gleaned. Farther back 
a solitary figure, conspicuous by ared cap, is in the act of stooping. At the 
top of the slope, which is tufted with a few dark bushes, one sees a harvest. 
wagon. In the distance a hill, shaded to a rosy peacock-blue tone, extends 
across the horizon. Over the center of the latter the twilight sky glows, 
cream and yellow, beneath a curtain of slaty-purple, which toward the sides 
pales to a dove gray. 


Signed and dated at the lower right, L. Luermitre, 92. 


is ee Bie 4 
ss ARTHUR HOEBER 


co AMERICAN 


“MEADOWS WITH CATTLE 
J moaMs 28% ies Length, 36 inches. 


vis LEVEL expanse of meadow-land, covered with coarse tussets of grass that 
show intervals of sandy soil, stretches to the horizon, where toward the right 
Ce wood is faintly visible. In the foreground lies a little reedy pool, which 
reflects soft tones of rose, blue and cream from the evening sky. A black 
and white cow is approaching from the left to drink. Its body is seen 


between two fragments of a railed fence. In the rear two other cows are 
_ coming forward. 


Signed at the lower left, ARTHUR HoxBER 


Contemporary : 7 


Sopa 


? No. 54 
CHARLES BRUN 


FRENCH 


(ABOUT eo rae) : = LE tle 


THE LANGUAGE OF FLO WERS 
Height, 39% inches ; Width, 25 inches. 


A TuRKISH idyl is being enacted in a narrow street. -While a maid servant, 


hooded and cloaked in grayish-blue, knocks at a door, her mistress turns to_ 


look at an admirer who leans against an angle of the wall of an opposite 
house. The lady’s figure is draped in a cream and rose striped cloak, while 


her eyes look languishingly from above her yashmak. The young man 
returns her gaze, as he holds toward her a white carnation. His costume ~ 


consists of a crimson turban, bound with white, a blue caftan, white bloom- 
ers and a plum-brown cloak. He dangles in his left hand a flag-shaped 
fan. High up on the roof of one of the houses, seen against a patch of blue 
sky, a stork is standing on her nest, while her mate hovers near. 


Signed and dated at the lower lefi, C. Brun, 1889. 


\ 
he 


lw. Ma 
ee ee POLISH SLEIGH-RIDE 7b Weil 


No. 55 


_——s« SAN: CHELMINSKI 


POLISH 


[- 3 Height, 2534 inches; Length, 40% inches. 
#| 


| Tue scene presents a flat expanse of snow-covered country, sprinkled 
~ scantily with stalks and grass and interrupted in the distance by-scattered 


clumps of trees. It extends back to a lavender-drab horizon, streaked with 


scarlet and overhung by a canopy of purplish-slaty vapor. In the immediate 


foreground, a sleigh is coming toward us at a gallop, drawn by three horses 
abreast: a white, a black and a chestnut. They are handled by a driver in 
a brown coat, while in the back of the sleigh appears a face, muffled in a 
green scarf. Preceding the sleigh rides a servant in a livery of green, 


edged with fur, who is in the act of guiding his bay horse round the curve 
of the road to the left. 


Signed at the lower left, JAN CHELMINSKI. 


No. 56 | ae oe 
JEAN JOSEPH BENJAMIN-CONSTANT _ 
| FRENCH : o 
(1845-1902) 
SCENE IN 4 MOORISH COURTYARD 
ate Freak a, cokes ¢ Width, ae © ee UA L is i 
: “ 


AT the back of the court a gateway, surmounted by a horseshoe arch, shows _ 
an outside view of deep azure sky, pale green grass and a gray aloe. Reclin- _ 
ing at the entrance, only his body showing above the step, is a young Moor, oe 
who, like the other persons in the scene, is intently watching a performance 
that is being given in the center of the court. Here, a Nubian, whose coal-. “a 
black arms and torso are nude, sits on a rug, holding by a chain a viciously- 

snarling puma. ‘To the right is a group of three: a Nubian, wrapped in an 
olive-green cloak, standing motionless; a figure, draped in white, stooping 

forward, and the erect form of a man who holds a musket across the back — 
of his shoulders. On the left of the scene, a figure is seated in front of a 


doorway, beside a saddle. 


Signed at the lower right, Bens.-CoNnsTANT. 


recrere ETON } 


: No. 57 
GIUSEPPE DE NITTIS_ 


ITALIAN | : = 7 Ih Pp Ye Un 


(1846-1884) 


_ 4 MORNING ON THE RIVER 
i . Height, 22% inches ; Length, 44% ohare 


4 


- SUNLIGHT beams clearly upon the water and colors the distant trees on the 
_ opposite bank of a river. Floating across the foreground is a skiff, buff 


body, with gunwale and rowlocks of mahogany. It is propelled by a sculler, 
dressed in a white jersey and dark blue cap, the seat in the stern being occu- 
pied by two ladies. One ‘is attired in a yellow straw hat and rosy pink 
gown, trimmed with lace; the other, who is in white, holds her hat on her 
lap. Both are sheltered from the sun by parasols. Following in the wake 
of the boat are four swans and six mallard ducks. 


Signed and dated at the lower right, De Nirtis, ’78. 


No. 58 ae 
VACSLAV VON “BROZIK 
: S AUSTRIAN 
PMO OE : (1852-1901) 
A KREUTZER SHORT ic Ma 
Heigl 30% inches ; Width, 25 inches. 
PANEL | ‘ 


BEsIDE a table placed under the window of an alehouse a maid-servant stands 
with an empty stein in her hand. A ring of beer marks where it has stood — 
upon the table and some coins are beside it, together with a china pipe, a 

tobacco bag and a hat. These belong to an old gentleman who sits diving — 
down into his pocket for the balance of his score. He is dressed in a bluish- 
green coat over a red waistcoat and reddish-brown breeches. In the rear on 
the left a door opens into a kitchen where the back of an old woman is seen. _ 


Signed at the lower left, V. Brozix. 


PERurie os 


ee we No. 59 
ss EUGENE GIRARDOT 
; | FRENCH 


Contemporary 


Loe 


ORIENTAL CHECKER PLAYERS 


Height, 2834 inches ; Length, 39% inches. 
: 


THE scene presented is the interior of an Oriental coffee-house. At the rear 
A 3 ee is a sideboard on which cups and glasses are arranged in rows. An attendant 
jeg ae stands near it in green vest and white bloomers. At his left, in a sort of 
a i, alcove, two white-draped figures are reclining on a bench against a wall. 
- Meanwhile in front of the chamber two Arabs seated on a mat on the floor 

_ are playing checkers. One of them has his back to us, draped in a brown 
cloak with a cream-lined hood. Seated opposite to him so that his face is 
toward the spectator, his opponent with a cigarette in his mouth is in the act 
of moving a piece. He is dressed in a white tunic and scarlet cloak. A 
Nubian, draped in purplish-blue, reclines beside him and smiles as he 
watches the play. 


iv; 
Signed at the lower left, KEugent GiraRDOT 


ling UNIVERSITY 


No. 60. | 
ARTHUR FERRARIS 
HUNGARIAN 
(1864- +) 


VISIT OF THE GRAND SHEIK TO tie CAIRO : 


Height, 32 inches ; Length, 39% inches. 


THE center of the group is occupied by the venerable figure of he sae f 
whose gray beard descends over a brown gabardine, adorned with broad — 


yellow stoles. He is being received by two men in long blue silk coats, one 


of whom bows to kiss his hand, while the other points to a doorway on the 


right. The Sheik is accompanied by a man in loose white robe, who carries 
_ared coral rosary, and followed by a boy attendant who walks ahead of a 


handsome man, with iron-gray hair showing beneath his turban. Beside. 


the latter walks an old man, whose gray hair projects wildly from his head. 
He wears a necklace of crimson beads and carries a staff. In advance of 


the crowd which throngs the gateway at the back of the court rides a man ~ 


on a donkey. At the left of the foreground a woman in a rosy, fringed 
dress and black veil, stands holding a baby. 


Signed and dated at the lower left, ARTHUR FERRARIs, 1890. 
Purchased from M. Knorpier & Co. 


AA All bt 


woO— 


No. 61 


FERDINAND FAGERLIN 


_ SWEDISH-GERMAN 

(1825- ) 
THE CONVALESCENT, SUNDAY AFTERNOON 
Height, 3634 inches; Length, 45% inches. 


Ina pleasantly furnished cottage interior a girl is seated against a wall on 
the right, her hands folded upon the blanket in which she is wrapped below 
the waist. A young fisherman in dark blue trousers and shirt, over an un- 
_dershirt of red, stands reverently gazing down at the convalescent. On her 
_ other side sits her sister, resting her face on her hand, as she reads from the 
family Bible, open on her lap. To the left of this group are seated the 
father and mother; he, a sturdy fisherman, looking into vacancy, she with 
her gaze fixed upon her child. Meanwhile, at the back of her chair a small 
boy kneels on the floor, blowing with a bellows at a rough-haired terrier. 


Signed and dated at the lower right, Frrv. Facrriin, Df. (Dusseldorf), ’87. 


opo ok 


No. 62 
BENJAMIN VAUTIER 
GERMAN-SWISS 
(as 829-1898) 

DANCE OF PEASANTS 
Hagk 80 decker Yon ee 


Tue interior of a village inn presents a scene of animated gaiety. Back on _ 
the left some couples are dancing, their figures illuminated by the light from — : 


a large window. The musicians,—a bass, fiddle and clarionet,—are ‘grouped a 
near the left of the foreground, beside a table on which rests two glass mugs — 


and a brass instrument. A little urchin stands listening intently to the - 
music, while two little girls are watching the dancers from the vantage place 
of a platform, on to which a small child in olive-green dress ‘is climbing. 
Behind this group to the right, a serving-girl looks longingly toward the 
dancers, as she rests her hand on a table laid with plates, a flagon and mugs. 
At another table in the rear, a man and his.partner are seated, while other , 
figures throng the doorway. 


Signed at the lower left, B. Vautizr. 


” 
* 


Cre 


} 


o-— 


Mato 


6900— Bea he GERMAN 


No. 63 


3 FRANZ DEFREGGER 


(1835-— ,, 
ANKUNFT ZUM BALL—ARRIVING AT THE BALL 
Height, 48 een ca 65 inches. 


THE scene is the interior of a villasoann Through a one on. the left 
breaks in a bevy of smiling peasant girls, the sunlight streaming behind 
them and adding gaiety to their gala costumes. The front girl is welcomed 
by a tall young fellow whose hands grasp hers as he bends to greet her. She 
seems to be a general favorite, for other men throng round her and one peasant 
is indulging in the antics of a dance as he snaps his fingers. Meanwhile the 
girl’s companion stands by disconsolately as if she felt neglected. Over on 
the right a man and a girl seated at a table are laughing at the dancer’s — 
antics, while a young man stands eyeing the scene with an expression of | 
annoyance or jealousy. Farther back two musicians are ‘mounted on a 
platform, one of them leaning over the music-rest to talk to a man beneath 

it. A shepherd dog is lying in the center of the foreground of boarded floor. 

Two portraits and a picture of the Madonna adorn the walls. bes 


Signed and dated at the lower right, F. Derreccer, 1882. 
Awarded Gold Medal, Vienna, 1882. 


Collection of Grorcr I. Senzy, New York, 1885. Catalogue No. 195. 


IES No. 64 
DANIEL RIDGWAY KNIGHT 


AMERICAN 


GOSSIPS 


Height, 88% inches; Length, 51¥4 inches. 


; In a field of brown, sandy soil, interspersed with tufts of coarse vegetation 
_and sprinkled with yellow and scarlet flowers, three peasant girls have met. 


One, on the left of the group, half back to us, dressed in a pale-blue skirt 
lined with fawn, has her hands planted on her hips as she talks to a girl who 
leans slightly forward under the weight of the burden on her back She is 
dressed in brown with a drab apron and holds a brass-lined pot in her left 
hand. Meanwhile the third girl stands a little apart with folded hands 
and on each arm a basket. ‘The field is bounded on the right by a stretch 
of blue water, bordered with willows and poplars. _ 


Signed and dated at the lower right, Ripcway Knicut, Paris, 1885. 


(1850- +) | Chanel Legend ») 


ee as 


No. 65 
BENJAMIN VAUTIER 
GERMAN-SWISS 
( 1820-1808) 


Na BY eae 
THE DILIGENCE STATION 


Height, 33% inches; Length, 51 inches. 


Groups of people are waiting in a wood-paneled room for the arrival of the 
diligence. Near the center, a tall man in uniform, with a cockade on his 
hat, apparently a conductor, is drinking a parting glass to the health of the 
smiling maid-servant. In the rear, a priest’s black back is bending to the 
window where the seats are booked, and a young peasant girl in gala costume 
is counting her money, while a young man watches her with interest. 
Near them a brown-frocked friar sits conning a breviary, and a fat man in a 
blue jacket is feeding at a table. Over on the left of the composition, a 
mother sits silently holding the hand of her boy, who is apparently departing 
on his first journey from home, and the little sister, depressed at the thought — 
of her brother leaving her, stands by with a large green umbrella. 


Signed and dated at the lower right, B. Vautizr, ’78. 


POLO 3 . (1843- —) 


No. 66 


ADRIEN MOREAU 


FRENCH 


A MASQUERADE 
Height, 38% inches ; Length, 51% inches. 


On the right-hand side of the street stands a circular fountain-basin which 
is surmounted by another basin supported by a group of figures, the design 
terminating at the top in a single figure. Two peasant girls in handsome 
holiday garb stand holding their pitchers as they watch a procession of 
revelers in masquerade attire. At the head marches a burly gentleman with 
a lady at each arm. To one of them, whois masked, a fool in scarlet creeps 
up to make a joke. Behind these follow a flutist and a man playing upon 
an elaborate stringed instrument. They are succeeded by another group 
surrounding a man with a cock’s mask who carries a staff decorated with 
flowers and streamers. As the procession passes a house with an arched 
entrance on the opposite side of the street two ladies look down upon the 


animated scene from an upper balcony. 


Signed at the lower right, Aprimn Moreau. 


No. 67 
= : DANIEL RIDGWAY KNIGHT 


AMERICAN 


REDO —— | : (1850- eae: 


A WAITING THE ‘BOA TS 
Height, 47 inches ; Length, 59% inches. 


THE pale, creamy, green water, stretching back to the horizon, where a few _ 
sails show faintly, breaks upon the sand in the foreground in a gentle swell, _ 
whitening on its crest. At the right is a projection of silvery-drab rock, 5 
occupied by a group of four figures. — A fisher girl is seated in profile, shad- 
ing her eyes as she scans the sea for a sight of the returning fishing boats. 
Two others are side by side, the one turning her head to talk to the other, __ 
whose face is toward us. They are being intently watched by a fisher-youth, 
who rests his chin on his hand, as he sits on a basket filled with nets. Two — 
empty baskets are lying in front of the group. 


Signed at the lower right, Ripaway Knicut, Paris. 


; AMERICAN ART ASSOCIATION, 


Managers. 
Tuomas E. Kirsy, 


Auctioneer. 


"THEIR WORK 


CATALOGUE 


sy Soe a ; NUMBER 
A AUBERT, aoe Pe eee , 
Bt No _ Love Disconsolate | | ss 28 
B: JAMIN-CONSTANT, Deaw Josern ae 
d <a Scene i in a Moorish ge 56 
BER {CHERE, Rceticsn 
_ Morning i in Cairo 3 . 6 
;RNE-BELLECOUR, Erman PROSPER : 
i An Advanced Picket 10 
f " BRILLOUIN, Guonczs . | 2 
ane Duet : ; 3 
‘BRUN, Cuaries 3 
a __ The Language of Flowers 54 
a Oe JEAN CHARLES : 
-  ———sA Farmyard at Night 43 
- CHELMINSKI, Jan 
aoe Polish Sleigh-ride 55 
 CHEVILLIARD, V. 
-Facheux Contretemps 11 
COROT, Jean Baptiste CAMILLE 
Honfleur—Calvaire de la Cote de Grace 35 
Landscape by the Sea i 41 
-DAUBIGNY, Cuartes Francors i 
Landscape with Distant Village . 37 
DEFREGGER, Franz 
Ankunft Zum Ball—Arriving at the’ Ball | 63° 


DE NITTIS, GivsEPrE 
A Morning on the River. 57 


j 


DIAZ DE LA PENA, Narcisse Viner 


Danse des Almées 

Landscape Study . 

Pool at Fontainebleau 
DUPRE, Juzes 

La Charrette 


FAGERLIN, Ferpinanp 


The Convalescent, Sunday Afternoon 


FARRER, Henry 
Springtime ~ 


FERRARIS, ARTHUR 


Visit of the Grand Sheik to the Cairo University 


FRANCIA, Francesco Rarsouii Giovanni pA BoLoen 
Portrait of the Count Oderico Popoli 


FRERE, Prerre EpovaRp 
The Little Housewife 


FROMENTIN, EvceEne 
An Arab Shepherd 


GIRARDOT, Evcine 
Oriental Checker Players 


GOUBIE, Jean Ricuarp 
The Intruders 


GROLLERON, Pavtu Louis Narcissz 
Camp Fires 


HEILBUTH, Ferprnanp 
Boating Party on the Thames 


HOEBER, Arruur 
Meadows with Cattle 


HOMER, N. A., WinsLow 
Musical Amateurs 


INDUNO, Girotamo 
Waiting for the Rendezvous 


KNIGHT, na eee 
eS ae Awaiting the Boats 
Bap, ee. ue Gossips 

ais ‘LAMBERT, a 
_ Curiosity 


| LAMORINIERE, ae 
rae! a he Heath, Calmthout 


LE BLANT, JULIEN 


. 


Requisitioning Quarters 


eet, F. 
Landscape and Cattle 


_ LECOMTE, Victor F. 
The Evening Hour 


LHERMITTE, Léon Avevustix 
The Gleaners ; 


‘MARILHAT, E.. 


MOREAU, Avrren 


¥ A Masquerade 
| ees - MUZZIOLI, Grovawnr 
f There’s Many a Slip 
a / 
= 
s 


Landscape with Windmill | 


CATALOGUE 
NUMBER 


26 


25 


48 


52 


66 


50 - 


PASINI, Arpertr 
An Oriental Bazaar 
RICHARDS, N. A., Wiruam T. 
Moonlight Marine 
RICI, Dante : 
___ Pompeian Girls at a Shrine 
RICO, Martin ‘ 
Maria Della Misericordia 
ROUSSEAU, Txtopore 
Chaumiére en Picardie 
SANTORO, Rusens 
; Piccolo Canale, San Trovaso, Venezia 
TAMBURINI, A. 
The Monastery Cook 
The Theological Book 
THAULOW, Frirz 
Village Street, Moonlight 
TOULMOUCHE, Aveuste 
Le Livre Sérieux 
VAN MARCKE, Emre 
Cows in the Meadow 
VAUTIER, Bensamin 
Dance of Peasants 
The Diligence Station 
Waiting for Permission 
VIBERT, Jenan GeorceEs 
Papa’s Toilet 
VOLLON, AnrTorne 
Still Life 
VON BROZIK, Vacsiav 
A Kreutzer Short 
WORMS, Jutezs 
Departure of the Espada 
ZAMACOIS, Epvarpo 
The Rendezvous . 


Ba: 


RCH INSTITU 


ri 


raglan aiaate 


i i 
ts nitty 
bint ih 


ble 


peat he 


te i i fe 
a 


